FEM:
you are too loud
Monday, November 24
8:30 pm
$10
8:30 pm
$10
Tickets available in advance here, or cash only at the door.
Please note that seating is limited at JACK, and any pre-purchased tickets will be released at five minutes before the start time to the waiting list (should there be one).
GUADALUPE, the annual performance event about femininity, is back! This year we’ve got a new name, an expanded team, a new space, and an exciting lineup of works about femininity. This year's FEM features artists exploring women who are too loud for their surroundings, bursting from the constraints of time and creating imaginative "other" spaces.
There will be talking olives. There will be flying skirts. There will be medieval feminist rockstars.
FEM Line Up:
¤ Morgan Green and Sarah DeLappe, a playwright/director duo, will present Act One of Sarah’s play, Parabola, a triptych that follows one woman, one man, and one choragus of inanimate objects on a gonzo journey through gender and mass media.
¤ Franklin Barefoot, a choreographer, is working with two dancers on a piece commissioned by FEM about how we construct alternative realities.
¤ Grace McLean (pictured), a performer and composer, will show the beginnings of In The Green, a pop opera inspired by the 12th Century mystic Hildegard von Bingen.
Please note that there is limited seating at JACK, and we expect this event to sell out. At 8:30 pm, any unclaimed tickets will be released to a waiting list, should there be one.
Please note that seating is limited at JACK, and any pre-purchased tickets will be released at five minutes before the start time to the waiting list (should there be one).
GUADALUPE, the annual performance event about femininity, is back! This year we’ve got a new name, an expanded team, a new space, and an exciting lineup of works about femininity. This year's FEM features artists exploring women who are too loud for their surroundings, bursting from the constraints of time and creating imaginative "other" spaces.
There will be talking olives. There will be flying skirts. There will be medieval feminist rockstars.
FEM Line Up:
¤ Morgan Green and Sarah DeLappe, a playwright/director duo, will present Act One of Sarah’s play, Parabola, a triptych that follows one woman, one man, and one choragus of inanimate objects on a gonzo journey through gender and mass media.
¤ Franklin Barefoot, a choreographer, is working with two dancers on a piece commissioned by FEM about how we construct alternative realities.
¤ Grace McLean (pictured), a performer and composer, will show the beginnings of In The Green, a pop opera inspired by the 12th Century mystic Hildegard von Bingen.
Please note that there is limited seating at JACK, and we expect this event to sell out. At 8:30 pm, any unclaimed tickets will be released to a waiting list, should there be one.
Curated by Sarah Rose Leonard and Natasha Sinha
Produced by Ankita Raturi
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FEM Artists:
Franklin Barefoot graduated high school from North Carolina School of the Arts. He then pursued a BFA from NYU Tisch Dance, as well as a degree in Urban Design and Architecture Studies from NYU College of Arts and Sciences. Franklin has worked with Lar Lubovitch, Brenda Daniels, Larry Kiegwin, Michael Leon Thomas, Mark Dendy Dance Theater, Ethan Stiefel, Trisch Casey, Dianne Markham, and others. Franklin founded BAREFOOTHAUS in 2014 as a dance forum for investigation. Franklin currently serves as a project manager for an architectural firm and simultaneously resides as creative director of BAREFOOTHAUS.
Sarah DeLappe’s plays include The Wolves, Parabola, Master&Marg, and Fates. These, and others, have been produced or developed by The Amoralists, Bookshop Workshops, Ugly Rhino, Wide Eyed Winks, New Territory, True False Theater, Nevada Shakespeare Company, and Yale Playwrights Festival. A semifinalist for Clubbed Thumb’s 2013 Biennial Commission, Sarah has received artistic residencies at the Sitka Fellows Program and SPACE on Ryder Farm. She was a member of Bookshops Workshops Writers Group; currently, she is a member of Clubbed Thumb’s early career writers group. Her plays have been published by Gut Feeling and Yale Literary Magazine. Sarah worked for Playwrights Horizons as the Literary Resident in 2012-13, and continues to read plays for their literary department. BA: Yale, Frances Bergen Memorial Prize for Prose.
Morgan Green is a Brooklyn-based director and co-founder of New Saloon theater collective. Recent credits include I’m Miserable but Changes Scares Me by Milo Cramer (New Saloon, The Brick), He Ate Quietly into the Wall by Ariel Stess (New Georges, New Ohio), William Shakespeare's Mom by Milo Cramer (New Saloon, The Brick and Ars Nova's ANTfest), Cooking to me is Poetry (New Saloon, Galapagos Art Space), and Talk to me Like the Rain by Tennessee Williams (Williamstown Theater Festival Workshop). Morgan is an alumni of the Lincoln Center Director's Lab 2013, and is currently a Robert Moss Directing Resident at Playwrights Horizons. Upcoming: Tropes (working title) will be developed through an Artist Residency with Mabou Mines and premiere at the Invisible Dog in Spring 2015.
Grace McLean is a multi-hyphenate actress-composer-singer-writer-teacher. In addition to performing in Off-Broadway hits like Natasha, Pierre & the Great Comet of 1812 and Bedbugs!!!, Grace also makes time for her acclaimed original music, both as a solo artist and with her band Grace McLean & Them Apples. With a sound that combines Regina Spektor's quirkiness, Nellie McKay's jazz sensibilities, Fiona Apple's irreverence, Kimbra's sass and Merrill Garbus of tUnE-yArDs' rhythm, McLean adds up to one beautiful weirdo. Grace’s work as a performer has taken her to Jamaica, Scotland, Italy, Croatia and Serbia. In New York, you can find her and her band at Joe’s Pub, Rockwood Music Hall, Ars Nova (where she developed the interactive concert experience Grace McLean: Lives in Concert), and the Museum of the American Indian, where she performed as part of a panel discussion on storytelling for The Economist’s 2012 Ideas Summit. McLean's pop opera In The Green (about 12th century German mystic Hildegard von Bingen) is currently in development. Grace is set to release her new EP in 2015, featuring the single, and her first feature video, “Natural Disaster". Make Me Breakfast, the 2012 EP from Grace McLean & Them Apples, is available on iTunes now. Find out more at www.gracemclean.com
Produced by Ankita Raturi
—————————————————————————————————————————--
FEM Artists:
Franklin Barefoot graduated high school from North Carolina School of the Arts. He then pursued a BFA from NYU Tisch Dance, as well as a degree in Urban Design and Architecture Studies from NYU College of Arts and Sciences. Franklin has worked with Lar Lubovitch, Brenda Daniels, Larry Kiegwin, Michael Leon Thomas, Mark Dendy Dance Theater, Ethan Stiefel, Trisch Casey, Dianne Markham, and others. Franklin founded BAREFOOTHAUS in 2014 as a dance forum for investigation. Franklin currently serves as a project manager for an architectural firm and simultaneously resides as creative director of BAREFOOTHAUS.
Sarah DeLappe’s plays include The Wolves, Parabola, Master&Marg, and Fates. These, and others, have been produced or developed by The Amoralists, Bookshop Workshops, Ugly Rhino, Wide Eyed Winks, New Territory, True False Theater, Nevada Shakespeare Company, and Yale Playwrights Festival. A semifinalist for Clubbed Thumb’s 2013 Biennial Commission, Sarah has received artistic residencies at the Sitka Fellows Program and SPACE on Ryder Farm. She was a member of Bookshops Workshops Writers Group; currently, she is a member of Clubbed Thumb’s early career writers group. Her plays have been published by Gut Feeling and Yale Literary Magazine. Sarah worked for Playwrights Horizons as the Literary Resident in 2012-13, and continues to read plays for their literary department. BA: Yale, Frances Bergen Memorial Prize for Prose.
Morgan Green is a Brooklyn-based director and co-founder of New Saloon theater collective. Recent credits include I’m Miserable but Changes Scares Me by Milo Cramer (New Saloon, The Brick), He Ate Quietly into the Wall by Ariel Stess (New Georges, New Ohio), William Shakespeare's Mom by Milo Cramer (New Saloon, The Brick and Ars Nova's ANTfest), Cooking to me is Poetry (New Saloon, Galapagos Art Space), and Talk to me Like the Rain by Tennessee Williams (Williamstown Theater Festival Workshop). Morgan is an alumni of the Lincoln Center Director's Lab 2013, and is currently a Robert Moss Directing Resident at Playwrights Horizons. Upcoming: Tropes (working title) will be developed through an Artist Residency with Mabou Mines and premiere at the Invisible Dog in Spring 2015.
Grace McLean is a multi-hyphenate actress-composer-singer-writer-teacher. In addition to performing in Off-Broadway hits like Natasha, Pierre & the Great Comet of 1812 and Bedbugs!!!, Grace also makes time for her acclaimed original music, both as a solo artist and with her band Grace McLean & Them Apples. With a sound that combines Regina Spektor's quirkiness, Nellie McKay's jazz sensibilities, Fiona Apple's irreverence, Kimbra's sass and Merrill Garbus of tUnE-yArDs' rhythm, McLean adds up to one beautiful weirdo. Grace’s work as a performer has taken her to Jamaica, Scotland, Italy, Croatia and Serbia. In New York, you can find her and her band at Joe’s Pub, Rockwood Music Hall, Ars Nova (where she developed the interactive concert experience Grace McLean: Lives in Concert), and the Museum of the American Indian, where she performed as part of a panel discussion on storytelling for The Economist’s 2012 Ideas Summit. McLean's pop opera In The Green (about 12th century German mystic Hildegard von Bingen) is currently in development. Grace is set to release her new EP in 2015, featuring the single, and her first feature video, “Natural Disaster". Make Me Breakfast, the 2012 EP from Grace McLean & Them Apples, is available on iTunes now. Find out more at www.gracemclean.com
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